Booklets/Pamphlets

Rencontres cinématographiques de Dijon 20162016

• Atelier Tout va bien

Contributed by Production Type

Aut! – Italia 1966/19772018

• ISIA Urbino

Contributed by Luca Longobardi

Barbican Arts Centre Identity2007

• OK-RM
• North Design

Contributed by Stephen Coles

Le jardin des imprimeurs2015

• Bureau 205

Contributed by 205TF

Galt Toys (1960s–70s)c. 1961

• Ken Garland & Associates

Contributed by Stephen Coles

Of His Kingdom There Shall Be No End2018

• Nigel Ewan

Contributed by Nigel Ewan

AIGA Design Conference 20162016

• Mother Design

Contributed by Richard Baird

The Polish Short Film catalog1971

• Alan Peckolick

Contributed by Stephen Coles

Outline2018

• Studio South

Contributed by Richard Baird

Chicago Design Week 2018: Design in Motion2018

• One Design Company
• Chris Malven

Contributed by David Sieren

AJAP 20182019

• République Studio

Contributed by République Studio

Cat stamps from Equatorial Guinea1978

Contributed by Nick Sherman

Schauspiel im ZDF (1978–83)c. 1978

• Christof Gassner

Contributed by Stephen Coles

Brand New Conference, 20162016

• Armin Vit
• UnderConsideration
• Bryony Gomez-Palacio

Contributed by Nick Sherman

Bread & Butter Festivalc. 2016

• White Bear Studio

Contributed by Jamie Quantrill

North: Fashioning Identityc. 2017

• B.A.M.

Contributed by Swiss Typefaces

Maison de l’Architecture Occitanie-Pyrénées (2017–)2017

• Pierre Vanni

Contributed by Lucas Le Bihan

KinderKulturMonat2012

• Studio Laucke Siebein

Contributed by Florian Hardwig

Mamoli product brochures & packaging2011

• LS Graphic Design
• Marta Bernstein
• Alberto Cantone

Contributed by Stephen Coles

Volksbühne Berlin season magazine 2013/20142013

• LSD
• Leonard Neumann
• Lenore Blievernicht

Contributed by Florian Hardwig

Prvomajski Inkubator2012

• Studio8585
• Mario Depicolzuane

Contributed by Florian Hardwig

BLAST: Review of the Great English Vortex No. 1, by Wyndham Lewis (ed.)1914

• William Henry Leveridge
• Wyndham Lewis

Contributed by Florian Hardwig

Minneapolis Institute of Artidentity 20162016

• Pentagram
• Michael Bierut
• Emily Oberman

Contributed by Love Lagerkvist

16º FITB2018

• Siegenthaler & Co

Contributed by Felipe Osorio

Industrial Design Diploma 2019, ZHdK2019

• Philipp Herrmann

Contributed by Out Of The Dark

Queer Materialism2019

• Lina Forsgren

Contributed by Or Type

Clip Books of Line Art, Volk (1978)1978

• Harry Volk Jr. Art Studio

Photo(s) by Bart Solenthaler on Flickr.

F. Ménard meats2012

• lg2

Contributed by Nick Sherman

CH’ARTSc. 2016

• Adrià Molins

Contributed by Emtype Foundry

Bâtard 2016 festival identity2016

• Ines Cox
• Ward Heirwegh

Contributed by Love Lagerkvist

Régie, Édition Portugal2018

• Caserne

Contributed by Lucas Descroix

The Winslow2018

• Vanderbrand

Contributed by Melanie Hong

Psychedelic Perfume (fictional)c. 2019

• Yi Mao

Contributed by Yi Mao

Clip Books of Line Art, Volk (1975)1975

• Harry Volk Jr. Art Studio

Photo(s) by Bart Solenthaler on Flickr.

MUFON UFO Symposium brochures, 1977–1979c. 1977

• unknown

Contributed by Jack Grimes

Inka Lunchware2020

• Elizabeth Goodspeed
• Clay Hickson
• Ian Shiver

Contributed by Elizabeth Goodspeed

Inspiring notebooksc. 2014

• Nicolas John Gelati

Contributed by Nicolas John Gelati

Design Museum identity (2003, 2016)2016

• Graphic Thought Facility
• Studio Fernando Gutiérrez

Contributed by Stephen Coles

Typo’&!.,-:;?“2016

• Bureau 205

Contributed by 205TF

Poéticas I2016

• Gabriel Menezes

Contributed by Estereográfica Editorial

Collect 20172017

• Spin

Contributed by Richard Baird

The Wasteland “Reading Room”2016

• Julien Lelièvre
• L’Atelier collectif
• Emmanuel Labard

Contributed by Production Type

Théâtre de Quat’Sous 2017/182017

• Le Séisme

Contributed by Daniel McQueen (TDF)

Le trait de Jupiter2017

• La Direction

Contributed by 205TF

Villejuifc. 2018

• République Studio

Contributed by Swiss Typefaces

Theater Aan Het Spui 2013–20172013

• Since Today

Contributed by Matthijs Sluiter

I’m so fucking tired of Helveticac. 2018

• Andrea Bianchi

Contributed by Andrea Bianchi

I’m Comic Sans, asshole.2018

• Paula Cruz

Contributed by Paula Cruz

11ème Festival Estival de Paris1976

• Raymond Pagès
• Atelier Offset

Contributed by Thomas Van Herck

This Is Not a Reportc. 2018

• Jessica Rosvita

Contributed by Jessica Rosvita

Balticum2019

• Christian Úbeda

Contributed by Christian Úbeda

OneFourFive Clarendon2019

• Studio Brave

Contributed by Richard Baird

Athens State Orchestra Campaign 2019–20202019

• G Design Studio

Contributed by George Triantafyllakos

Sculpture City Saint Louis2014

• Kiku Obata & Company

Contributed by Kiku Obata & Company

Sunday Paper, Issue 012016

• Pseudo Friends

Contributed by Ben Nelsen

Humboldt-Labor introduction brochure2017

• Fons Hickmann M23

Contributed by Henning Plus

The Rage2018

• Jessica De Jesus
• Veronica Corzo-Duchardt
• Bitch Media

Contributed by XYZ Type

An die Musik NYC, 2018–19 season2018

• Copter Design Studio
• CJ Dunn

Contributed by CJ Dunn

BIT20 Ensemble visual identityc. 2019

• JAHJAH Studio

Contributed by Frode Helland (Monokrom Skriftforlag)