Uses with artwork from Germany

Papierfabrik Fleischer letterheadc. 1960

• unknown

Contributed by Stephen Coles

Anonymity in Cyberspacec. 2019

• Annika Soja

Contributed by Matthieu Salvaggio

In Symbiose / Teayüş Içinde2018

• Finn Reduhn

Contributed by Weltanschauung

Grundkurs Kunst 1: Malerei Grafik Fotografie2016

• Farnschläder & Mahlstedt

Contributed by Martin Wenzel

Der Schatz der Sierra Madre (1966) and Tote schlafen fest (1972) movie postersc. 1966

• Hans Hillmann

Contributed by Florian Hardwig

“Ärger und Verdruß” ad by Gebr. Klingspor (1930)1930

• Gebr. Klingspor

Photo(s) by “Kirsten Solveig Schneider” on Flickr.

Giacomo Works2019

• Giacomo Vergnano

Contributed by Giacomo Vergnano

Miriam Cahn. Das genaue Hinschauen2019

• designreiche

Contributed by Dagmar Reiche

Büro Brux2019

• Oliver Brux

Contributed by Oliver Brux

You Would (2012) and Was haben wir gesehen/ What we have seen (2016) by Robert Frankc. 2012

• Steidl Verlag

Contributed by Florian Hardwig

Petite by Edward Carey (German edition, C.H. Beck)2019

• Geviert
• Nastassja Abel

Contributed by Andreas Seidel

Deutsche Staatsphilharmonie Rheinland-Pfalz magazine #01c. 2019

• Kontext Kommunikation

Contributed by Kontext Kommunikation

Temper2019

• Jonas Pelzer

Contributed by Jonas Pelzer

Zabalin by Anno Wilms1985

• unknown

Contributed by Ezra Fike

Metropolink Festival für Urbane Kunst 20192019

• Kontext Kommunikation

Contributed by Kontext Kommunikation

Metropolink Festival für Urbane Kunst 2019 poster2019

• Kontext Kommunikation

Contributed by Kontext Kommunikation

“Vorzügliche Druckerfolge” ad by Berger & Wirth1928

• Hofmann

Contributed by Florian Hardwig

“Papiere und Pappen” ad by F.J.Schirmer & Co.1925

• unknown

Contributed by Stephen Coles

Seitenwind2019

• Seitenwind

Contributed by Jonas Pelzer

Starke Stücke at Staatliche Kunstsammlungen Dresden (proposal)2019

• David Löwe
• Manuel Radde
• Serious Play

Contributed by David Loewe

Claude Debussy at Institutul Maghiar din București2019

• Serious Play

Contributed by David Loewe

Schuh im Hof

Photo(s) by “monsieur ADRIEN” on Flickr.

Art Reoriented2019

• Eps51

Contributed by Marcus Bpunkt

Constants & Variables2019

• Philip Jursch
• Doğu Kaya

Contributed by Philip Jursch

Janua Möbel product brochuresc. 2019

• Bernhard Maier

Contributed by TypeMates

Stadt Darmstadt Notgeld1923

• unknown

Contributed by Florian Hardwig

Diebsteich station sign

Photo(s) by Albert-Jan Pool on Flickr.

Mercedes-Benz W124 dashboard1989

• Mercedes-Benz

Contributed by 博行 三浦

PSW Engineeringc. 2018

• diesdas.digital
• Tom Klein
• Lars Krüger

Contributed by Revolver Type Foundry

Alex Ketzer: “Rhodes’n’Electronics” concert poster2019

• Philipp Dittmar

Contributed by Weltanschauung

Eins Zwei Drei Baukunstarchiv2018

• JAC-Gestaltung
• Judith Anna Rüther

Contributed by Judith Anna Rüther

New Aesthetic, The Curation of Independent Type Design2019

• Leonhard Laupichler

Contributed by Leonhard Laupichler

Festung by Rainald Goetz1993

• unknown

Contributed by Philipp Messner

“Rock And Soul Music” / “The Fish Cheer I-Feel-Like-I’m-Fixin’-To-Die Rag” – Country Joe & The Fish1970

• unknown

Contributed by Garrison Martin

“Do You Feel Like We Do” / “Penny For Your Thoughts” – Peter Frampton1976

• unknown

Contributed by Garrison Martin

“Do Or Die” / “Comme Un Oiseau Qui S’Envole” – Grace Jones1978

• unknown

Photo(s) by “Klaus Hiltscher” on Flickr.

“Back In The Night” / “I’m A Man” – Dr. Feelgood1975

• unknown

Photo(s) by “Klaus Hiltscher” on Flickr.

“Born To Be Wild” / “Magic Carpet Ride” – Steppenwolf (MCA Germany)1984

• unknown

Contributed by Florian Hardwig

Die brasilianische Wunde der Welt, HU Berlin2018

• Moscou Design

Contributed by Moscou Design

EP3 – Christoff Riedel2019

• Philipp Dittmar

Contributed by Weltanschauung

Next472019

• Fuseproject

Contributed by Revolver Type Foundry

Durch die Wüste des Realen2019

• Sebastian Richter

Contributed by Sebastian Richter

Weleda Gravidarium2018

• Manuel Wesely
• mm, m

Contributed by Manuel Wesely

Die Epilog, issue 7: “Quite important. Thema: Irrelevanz”2018

• Oh No Oh Yes

Contributed by Die Epilog

Aqua Sansa – Markus Stockhausen / Jasper Van’t Hof1980

• Markus Stockhausen

Contributed by Robert Beatty

“Die moderne Typographie” ad, D. Stempel AG (1930)1930

• D. Stempel AG

Photo(s) by “Kirsten Solveig Schneider” on Flickr.

City Sounds, City Atmospheres2019

• Operative Space
• Marius Förster
• Robert Preusse

Contributed by Rodrigo Saiani

Funny-frisch Donuts2019

• funny-frisch

Contributed by Darden Studio

Beyond Tellerrand Düsseldorf 2019 posters2019

• Brendan Dawes

Contributed by Brendan Dawes

Made In England – Atomic Rooster1972

• Mike Gill Associates Ltd.

Contributed by Matthijs Sluiter

CPS-IT brand identityc. 2018

• OCIO Studio

Contributed by OCIO Studio

Ruff Rap Colours & Mercy documentary2017

• Jan Erting
• Phila Demi
• Lukas Vogt

Contributed by iamgod: aesthetic/semiotic research/development

Museum Folkwang2019

• Marc Naroska

Contributed by 205TF

Politische Texte seriesc. 1966

• August Bachmeier

Contributed by Hee Jin

Die Epilog, issue 8: “Wird schon schief gehen — Große Pläne”2019

• Oh No Oh Yes

Contributed by Die Epilog

Liebe Kitty by Anne Frank2019

• Erik Spiekermann
• Daniel Klotz

Contributed by Ramiro Espinoza

Anna Grath artist catalogue2016

• We Are Fellows
• Friederike Wolf

Contributed by Adrien Menard

Pop-Kultur 20192019

• fertig design

Contributed by Jérémy Landes

Young.vishnu – new.life2019

• Cars10

Contributed by Laura Csocsán