Uses with artwork from Hamburg (Germany)

Oiink Farmyard pigs website and branding2019

• Mutabor

Contributed by TypeMates

credit exhibit 2019c. 2019

• Nils Poppe

Contributed by nils poppe

Verteidigung und Gegenangriff by Tibor Flórián1971

• unknown

Contributed by Thomas Van Herck

Alex & Sarahc. 2015

• Nils Poppe

Contributed by nils poppe

MUT Academyc. 2019

• Nils Poppe

Contributed by nils poppe

Organic Grids & Linear Fluids2018

• Christian Nicolaus

Contributed by Weltanschauung

In Symbiose / Teayüş Içinde2018

• Finn Reduhn

Contributed by Weltanschauung

Grundkurs Kunst 1: Malerei Grafik Fotografie2016

• Farnschläder & Mahlstedt

Contributed by Martin Wenzel

Diebsteich station sign

Photo(s) by Albert-Jan Pool on Flickr.

PSW Engineeringc. 2018

• diesdas.digital
• Tom Klein
• Lars Krüger

Contributed by Revolver Type Foundry

Die Epilog, issue 8: “Wird schon schief gehen — Große Pläne”2019

• Oh No Oh Yes

Contributed by Die Epilog

Anna Grath artist catalogue2016

• We Are Fellows
• Friederike Wolf

Contributed by Adrien Menard

Ulysses by James Joyce, Odyssey Press (1932)1932

• Odyssey Press

Contributed by Florian Hardwig

Sero Architektenc. 2019

• Jihee Lee

Contributed by Typotheque

Mathias Meinelc. 2019

• Nils Poppe

Contributed by nils poppe

Das Hoch band logoc. 2019

• Nils Poppe

Contributed by nils poppe

consolidation at 84GHz2019

• Nils Poppe

Contributed by nils poppe

On the Road to Variable: The Flexible Future of Typography2019

• TwoPoints.Net

Contributed by Two Points

Yuno magazine logoc. 2011

• unknown

Contributed by Otto Maurer

GX7M+5Rc. 2019

• Canan Bunk
• Franziska Schmidt
• Julian Stiber

Contributed by Blaze Type

GEO Epoche No. 89, “The Inquisition”2018

• Tatjana Lorenz
• Eva Mitschke
• Samson J. Goetze

Contributed by Florian Hardwig

Sergio Carrerac. 2018

• Nils Poppe

Contributed by nils poppe

Flo Peters Galleryc. 2018

• Nils Poppe

Contributed by nils poppe

New Beginnings: Kiron student magazine #2c. 2018

• Nils Poppe

Contributed by nils poppe

Guido magazine, first issue2018

• G+J

Contributed by TypeMates

Lilya Zilberstein on Deutsche Grammophon (1989–94)c. 1989

• Werner Koberstein

Contributed by Stephen Coles

Millerntor Gallery Guide St. Pauli

• Nils Poppe

Contributed by nils poppe

metameterc. 2018

• Nils Poppe

Contributed by nils poppe

Denise Jacobsc. 2018

• Nils Poppe

Contributed by nils poppe

Cream — “I Feel Free” / “N.S.U.”1967

• unknown

Contributed by Matthijs Sluiter

Vinaturel wine label2017

• Markus Schäfer
• Katharina Moelle
• Büro Ink

Contributed by Markus Schäfer

Impulse magazine, 2018 redesign2018

• Max Nelles
• Territory

Contributed by TypeMates

System Trifft Utopie2018

• Timo Wrage

Contributed by Swiss Typefaces

Die grüne Grenze – Isabel Fargo Cole, Edition Nautilus2017

• Maja Bechert

Contributed by Florian Hardwig

PAGE 05.2018, “Brand Storys gestalten”2018

• PAGE
• Christine Krawinkel
• Rebecca von Hoff

Contributed by Revolver Type Foundry

credit exhibit2017

• Nils Poppe

Contributed by nils poppe

dhg Hamburg2016

• Nils Poppe

Contributed by nils poppe

Rethink ALDI (fictional)2018

• TwoPoints.Net

Contributed by Two Points

Evangelisches Frankfurt2016

• Jan Famira

Contributed by Willerstorfer Font Foundry

Guntram Funk – Aquarelle2017

• Nils Poppe

Contributed by nils poppe

Saint One2018

• Nils Poppe

Contributed by nils poppe

Wundern über tanawo‘ festival2017

• Nils Poppe

Contributed by nils poppe

2. Exposition Mondiale de la Photographie. La Femme1968

• Peter Jürgen Wilhelm

Contributed by Malou Messien

Essenza – The Essence of Motorcycles2016

• Studio Oeding

Contributed by Stefan Claudius

Bond Conference 2018website2018

• Matt Lehman
• Andy McMillan
• Paulo Pereira

Contributed by Love Lagerkvist

rasmus und christin studio branding2017

• rasmus und christin

Contributed by rasmus und christin

Deutscher Historikertag 20162016

• Rimini Berlin

Contributed by Rimini Berlin

Mutter/Genth – Kultivierte Konflikte / Cultivated Conflicts2015

• Ingo Offermanns

Contributed by 205TF

Jerry Zeniuk – How to paint2017

• Ingo Offermanns

Contributed by 205TF

Paper & Pixelc. 2016

• Studio Una

Contributed by Studio Una

Wilde | Woydtc. 2017

• Studio Una

Contributed by Studio Una

NMIB – Nano Moving Images Berlinc. 2017

• Studio Una

Contributed by Swiss Typefaces

Museum Unplugged – eine Selbstbefragung2015

• Ingo Offermanns
• Cyrill Kuhlmann

Contributed by Florian Hardwig

Barefoot Livingc. 2016

• Format Design

Photo(s) on Flickr.

Adana Twins 16/172016

• EGYD

Contributed by EGYD

Die Entstehung meiner Hadassah-Hebräisch by Henri Friedlaender1967

• Henri Friedlaender

Contributed by Philipp Messner

“Kein Bier ohne Alster” exhibition2017

• unknown
• atelier freilinger & feldmann

Contributed by Jakob Runge

“Peace” shirt and ad2017

• Lars Madsen
• MadsenDesign

Contributed by Lars Madsen

Parallel skateboarding magazinec. 2017

• Fabio Schöneweihs

Contributed by Nils Thomsen