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Qūentin Café, Mexico Cityc. 2015

unknown

Contributed by Andrei Robu

Fantabody web restyling and campaignc. 2022

Sofia Atzori
Carolina Amoretti
FIRM

Contributed by giulia boggio

Josep Renau i el temps de les imatges2022

Ibán Ramón

Contributed by David Gobber

<cite>Josep Renau i el temps de les imatges</cite>

Sponsor

Spoiler_magc. 2022

Riccardo De Capitani
Federico Agnelli

Contributed by Federico Agnelli

Conflagrations Press website2022

Aidan Molloy

Contributed by Aidan Molloy

Ortto brand identityc. 2022

Christopher Doyle & Co.

Contributed by Satoshi Hino

Kapitalistinis realizmas by Mark Fisher2021

Vilmantas Žumbys

Contributed by Vilmantas Žumbys

Maria Cutia 10 Anos2017

Filipe Lampejo
João Emediato

Contributed by Filipe Lampejo

Philosophy Orientation chocolate packaging2021

He Yuxuan 何宇轩

Contributed by Hesign 何宇轩

Philosophy Orientation chocolate packaging

Google Workshop Read Me by Stephanie Specht2021

Specht Studio

Contributed by Fanny Hamelin

Depicting Recent Memories by It’s for Us2022

Deutsche & Japaner

Contributed by Swiss Typefaces

<cite>Depicting Recent Memories </cite>by It’s for Us

Inteligência Financeirac. 2021

Lucas D’Ascenção
Natália Xavier
Nicolle Motta

Contributed by Lucas D'Ascenção

Baden city branding2021

Melodi Eken
FE Agentur

Contributed by Dominique Kerber

Foxing – Draw Down The Moon album art, single covers, merchandise2021

Hayden Molinarolo
Adam Vass
Conor Murphy

Contributed by Yolande Leong

Ela Gabriela Design portfolio website

Gabriela Dule

Contributed by Gabriela Dule

Sunken Foal EP series2020

Dunk Murphy

Contributed by Max Phillips

Ashes to Ashes, Dust to Dust2017

Julian Peschel

Contributed by Julian Peschel

Contre Exemplaires by HEAR2019

Julie Bassinot
Morgat Bry
Chani Pouzet

Contributed by Juliette Duhé

Five Points Coffee2017

Conor & David
Conor Nolan
David Wall

Contributed by Max Phillips

Curtis Harding – If Words Were Flowers album art2021

Alex Coven
John Zabawa

Contributed by Swiss Typefaces

Curtis Harding – <cite>If Words Were Flowers </cite>album art

Staff Pick

Population Foundation of Indiac. 2020

Lopez Design

Contributed by Sharp Type

Entre Nous, IPERCUBO and FL GALLERY2022

Chiara Campagnuolo

Contributed by chiara campagnuolo

<cite>Entre Nous</cite>, IPERCUBO and FL GALLERY

“Revolutionäre 1. Mai Demo” poster2022

Marc Gertsch

Contributed by Marc Gertsch

black beyond – _origins exhibition posters and website2021

jazsalyn

Contributed by Alain Papazian

black beyond – <cite>_origins</cite> exhibition posters and website

Yuta Kurimoto – Art direction & Graphic design portfolio websitec. 2022

Yuta Kurimoto

Contributed by Yuta Kurimoto

L’Amour du Pain2021

Cin Cin

Contributed by Franziska Weitgruber

Staff Pick

360° magazine, n°2112022

Balmer Hählen

Contributed by newglyph

360° magazine, n°210c. 2022

Balmer Hählen

Contributed by newglyph

Staff Pick

Guitar World, Aug. 2021, “Guitar’s Greatest Live Moments”2021

unknown

Contributed by Resistenza Type Foundry

<cite>Guitar World</cite>, Aug. 2021, “Guitar’s Greatest Live Moments”

Dives – “Stay Right Here” single cover and music video2020

Coco Lobinger

Contributed by TYPE01

David Shepard brandingc. 2022

Boyle Design Group

Contributed by Max Phillips

Nu Icons magazine redesignc. 2021

Lisa Rebeca
Clio Hadjigeorgiou

Contributed by Altiplano Typefaces

On the Edge2021

How&How

Contributed by TYPE.WELTKERN®

Marcel Duchamp ou le grand fictif by Jean Clair (Apostasis)2014

Building Paris

Contributed by Production Type

<cite>Marcel Duchamp ou le grand fictif</cite> by Jean Clair (Apostasis)

Interior Feltc. 2021

Frontier

Contributed by Brian Sholis

L’Insecte (2020) fashion filmc. 2020

Africa Pombo

Contributed by Guillermo G. Díaz

A°2022, le magazine de l’Anthropocène2022

Bureau 205

Contributed by 205TF

<cite>A°2022, le magazine de l’Anthropocène</cite>

Staff Pick

How to Host a Viking Funeral by Kyle Scheele2022

David Fassett

Contributed by XYZ Type

<cite>How to Host a Viking Funeral</cite> by Kyle Scheele

OneTrickPonies skincarec. 2021

Michal Wiesel
Disorder Agency

Contributed by Jamie Otelsberg (OH no Type Co.)

Creativity School2021

Nothing Design Studio
Rahul Bhogal

Contributed by Rahul Bhogal

Pams Confectionary packaging2014

Brother Design

Contributed by Erica Jung

Elegy: Lament in the 20th Century, Philadelphia Museum of Art2022

Hanna Karraby
Ridge Chin

Contributed by Inès Davodeau

Staff Pick

Vandal winesc. 2016

Kate Taraskina

Contributed by Kate Taraskina

Rights of Way2021

Wibke Bramesfeld

Contributed by Wibke Bramesfeld

Biuro no. 19, “Słowniczek instytucji”c. 2021

Renata Motyka

Contributed by Renata Motyka

Tomorrow X Together – The Chaos Chapter: Freeze2021

Ordinary People

Contributed by David Gobber

Tomorrow X Together – <cite>The Chaos Chapter: Freeze</cite>

Desdémone. Entre désir et désespoir2015

Prototype
Aurore Jannin
Laurent Pinon

Contributed by Swiss Typefaces

<cite>Desdémone. Entre désir et désespoir</cite>

Ayok’a identityc. 2017

Kate Taraskina

Contributed by Kate Taraskina

Avian Loop, Issue 52022

Daniel Shaskey
The Physics Room

Contributed by Daniel Shaskey

BAM Next Wave Festival ’22 (concept)2022

Alex Rapport

Contributed by Alex Rapport

Honey branding2021

Honey

Contributed by Ivo Gabrowitsch

Sal Minella Aftermath mix cover2022

Mehmet Yaman

Contributed by Mehmet Yaman

Caravelle beer cans2017

Hey Studio

Contributed by Swiss Typefaces

Staff Pick

Type Design Class website2021

Viktor Baltus

Contributed by Andrea Tartarelli

Ali (2021) movie logo, credits, poster2021

Fakepaper

Contributed by Fakepaper

Staff Pick

Kahilla2020

MA’AM
Jessica Cullen

Contributed by Jessica Cullen

First Ascent website2022

Stefan Vitasovic
Max Niblock

Contributed by Jan Maack

Swiss Federal Institute of Technology Lausanne (EPFL)2021

EPFL Mediacom

Contributed by Emphase Swiss Graphic Design Lab.

<span>Swiss Federal Institute of Technology Lausanne (</span>EPFL)

The Last Black Man In San Francisco (2019) posters2019

Akiko Stehrenberger

Contributed by Ciarán Crawley

<cite>The Last Black Man In San Francisco</cite> (2019) posters

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