Early uses

The Road to Wigan Pier by George Orwell, Penguin edition2014

• David Pearson

Contributed by Florian Hardwig

Sacro Bosco website and “Ninfeo” video by Too Smooth Christ2015

• Large
• Alaric Garnier

Contributed by Production Type

Reframed poster2014

• Aleks Dawson
• Ennead Architects

Contributed by Florian Hardwig

Queer Currents identity and websitec. 2020

• Studio Harris Blondman

Contributed by Dennis Moya Razafimandimby

Finnegans Wake, 1st edition1939

• M.B. Glick

Contributed by Stephen Coles

Musikakademie Saarbrücken identity2018

• Manuel Wesely
• mm, m

Contributed by Manuel Wesely

“Fotografie der Gegenwart” leaflet1929

• Walter Dexel

Contributed by Stéphane Darricau

Joseph Allred – Cub Creek Blues (Blue Hole Recordings)2020

• Matthew Boteilho

Contributed by Matthew Boteilho

Le Bonbon Nuit nº96, August 20192019

• République Studio

Contributed by Altiplano Typefaces

BRR 2018: Quando a periferia se torna trendy2019

• José Mendes

Contributed by R-Typography

Typografische Monatsblätter, Nr. 4, 19871987

• Max Caflisch

Contributed by Stephen Coles

Velvet Underground at The London College of Printing1971

• London College of Printing

Contributed by Stephen Coles

Yearbook 2015–2016, Design Department, Sandberg Instituut Amsterdam2016

• Andrea Karch
• Daniel Seemayer

Contributed by Axel Pelletanche Thévenart

Spitfire Cory Kennedy wheels2015

• Matt Cantrell

Contributed by James Edmondson

Gay Times magazine, issue 5002019

• Gay Times

Contributed by Daniel McQueen (TDF)

Le trait de Jupiter2017

• La Direction

Contributed by 205TF

Dracula1973

Contributed by Nick Sherman

Nosorog literary magazine, Issue #22014

• Kirill Gluschenko

Contributed by Kirill Gluschenko

Malraux Chambéry2019

• Brest Brest Brest

Contributed by Sharp Type

Basics, UdK Berlinc. 2016

• Thomas Lehner
• Benedikt Rottstegge

Contributed by Florian Hardwig

Graphische Nachrichten, Vol. 11, No. 8, Aug. 19321932

Contributed by Stephen Coles

Of His Kingdom There Shall Be No End2018

• Nigel Ewan

Contributed by Nigel Ewan

Max magazine, spring 20202020

• Mark Grünberger
• In the Headroom
• Alexander Kofler

Contributed by R-Typography

An Anatomy of Influence2018

• Boris Meister
• AA Print Studio

Contributed by Boris Meister

Hungarian Pavilion, Leipzig Book Fair 20182018

• Submachine
• Ákos Polgárdi

Contributed by SUBMACHINE

Racial Inequality conference posters2018

• Partner & Partners

Contributed by Production Type

NZZ Bellevue2016

• Edenspiekermann
• Anna Maria Ciupka
• Carolin Schnurrer

Contributed by Revolver Type Foundry

Paul Robeson – Songs of Free Men album art1942

• Alex Steinweiss

Contributed by Stephen Coles

Camembert Le 5 Frères2016

• Production Type team

Contributed by Production Type

Paris Avant-Premièrec. 2018

• Jeanne Triboul

Contributed by Blaze Type

“Can you name five designers of color?”, Phase II exhibition, MICA2019

• Will Kuria

Contributed by Florian Hardwig

The Diaspora of Armenian Printing2012

• Frederik de Wal

Contributed by Rosetta

Footnotes, issue C2019

• Mathieu Christe
• La Police

Contributed by Mathieu Christe

Advertising Arts, April 19301930

• Lucian Bernhard

Contributed by Stephen Coles

Boulder Museum of Contemporary Art2012

• Berger & Föhr

Contributed by Nicholas Cai

Blickfang Zürich2017

• aaastudio
• Berger + Co
• Clovis Vallois

Contributed by Nouvelle Noire

Broadside for Parenthesis 292015

• Russell Maret

Contributed by Nick Sherman

“______ is voting for Biden” posters2020

• Jason Cryer

Contributed by Gor Jihanian

David Behrmann & Cleek Schrey, Issue Project Room, New York2018

• Anja Kaiser

Contributed by Pierre Pané-Farré

Peter Blake Architect logoc. 1965

• Herb Lubalin
• Lubalin Smith Carnase

Contributed by Stephen Coles

Jazz Sur le Grill, 5e édition2019

• Brest Brest Brest

Contributed by Benoît Bodhuin

A Universal History of Everything and Nothing by Julie Mehretu2017

• Luigi Amato
• Mousse Publishing

Contributed by Alessio D'Ellena

MAMSAM mugsc. 2016

• Mateusz Machalski
• threedotstype
• Janek Bersz

Contributed by Marian Misiak

2018 Brand New Conference2018

• Armin Vit
• UnderConsideration
• Bryony Gomez-Palacio

Contributed by Stephen Coles

No Style. Ernst Keller (1891–1968)2017

• Coande

Contributed by Nouvelle Noire

HBKsaar “link” lecture series2018

• Indra Kupferschmid

Contributed by Florian Hardwig

Augenblick, Festival du cinéma germanophone 2020 poster2020

• Mickael Dard

Contributed by David Gobber

Dartmouth College identity system2018

• The Original Champions of Design

Contributed by XYZ Type

credit exhibit 2019c. 2019

• Nils Poppe

Contributed by nils poppe

De factoc. 2019

• Chase Hostler

Contributed by Florian Hardwig

La Septième Obsession, issue 29, “Sexe”2020

• Alexandre Cano

Contributed by Alexandre Cano

Le journal de La Confluence n° 42018

• Bureau 205

Contributed by 205TF

Ça ira (1): Fin de Louis2018

• Pierre Jeanneau

Contributed by Swiss Typefaces

Air France poster: Caravelle & Boeing1961

• Roger Excoffon

Contributed by Stephen Coles

California Design 2 – AIGA poster1985

• April Greiman
• Michael Manwaring

Contributed by Love Lagerkvist

The Flanders Architectural Review N° 14, “When Attitudes Take Form”2020

• Ward Heirwegh
• Marie Sledsens

Contributed by Ward Heirwegh

Raz Ohara – Realtime Voyeur album art1999

• Angela Lorenz

Contributed by Florian Hardwig

Modrá púpava2018

• Ivana Palečková

Contributed by Ivana Palečková

YAGOW LP cover and ads2017

• Manuel Wesely
• mm, m
• Daniel Fuchs

Contributed by Manuel Wesely