German (language)

Tinder “Single, Not Sorry” campaign2018

• Wieden+Kennedy

Contributed by Swiss Typefaces

Sacré – Matthieu Gafsou2012

• IDPURE éditions
• This is not
• Raphaël Verona

Contributed by Altiplano Typefaces

Papierfabrik Fleischer letterheadc. 1960

• unknown

Contributed by Stephen Coles

Janua Möbel product brochuresc. 2019

• Bernhard Maier

Contributed by TypeMates

Eins Zwei Drei Baukunstarchiv2018

• JAC-Gestaltung
• Judith Anna Rüther

Contributed by Judith Anna Rüther

Festung by Rainald Goetz1993

• unknown

Contributed by Philipp Messner

Museum Saint George’s Abbey2018

• Lorenz Tschopp
• Studio Lorenz Tschopp

Contributed by Jeremy Tankard

Liebe Kitty by Anne Frank2019

• Erik Spiekermann
• Daniel Klotz

Contributed by Ramiro Espinoza

re:publica192019

• fertig design

Contributed by Florian Hardwig

Teufen2015

• TGG Hafen Senn Stieger

Contributed by Vallois Clovis

Francis Kéré: Radically Simplec. 2017

• Verena Gerlach

Contributed by Laïc: Type Foundry

Chair Airlines2019

• Branders

Contributed by Swiss Typefaces

Die Welt ohne uns – Inke Arns2016

• JAC-Gestaltung
• Judith Anna Rüther

Contributed by Judith Anna Rüther

Ringana2016

• Moodley
• Sabine Kernbichlerand
• Wolfgang Niederl

Contributed by 205TF

Not The End Of Printc. 2014

• Isabel Seiffert

Contributed by Edgar Walthert

Industrial Design Diploma 2019, ZHdK2019

• Philipp Herrmann

Contributed by Out Of The Dark

“Würzburg macht Spaß!” sticker

• unknown

Photo(s) by Hylbrand-Jan Hibma on Flickr.

Summgedichte2018

• BNAG

Contributed by BNAG

Hiday online magazine2017

• Bloom Identity

Contributed by CJ Dunn

Stanisław Lem paperback series, Volk und Weltc. 1980

• Klaus Krüger

Contributed by Florian Hardwig

Metarmorphosen oder Der Goldne Esel 2018

• Manja Hellpap

Contributed by JAF

The Future of Typographyc. 2019

• Josephine Becker

Contributed by TypeMates

“Lohngleichheit Punkt. Schluss!” equal pay campaign2018

• Studio NOI

Contributed by TYPE.WELTKERN®

Ausstellungsreihe ABC, Burg Galerie im Volkspark2019

• Marcus Wachter
• Miriam Humm

Contributed by Benoît Bodhuin

A selection of types / Auswahl guter Typen / Une sélection de caractères1958

• Rudolf Hostettler

Photo(s) by Philipp Messner on Flickr.

Von Arts and Crafts zum Bauhaus, Bröhan-Museum2018

• Gerwin Schmidt

Contributed by Florian Hardwig

Hungarian Pavilion, Leipzig Book Fair 20182018

• Submachine
• Ákos Polgárdi

Contributed by SUBMACHINE

Else Lasker-Schüler stamp2019

• Julia Warbanow

Contributed by Florian Hardwig

Die Rote Fahne, #1 (9 Nov 1918) and #16 (16 Jan 1919)1918

Contributed by Florian Hardwig

Kleines Blumen-ABCc. 1960

• Maul und Co.

Photo(s) by altpapiersammler on Flickr.

11ème Festival Estival de Paris1976

• Raymond Pagès
• Atelier Offset

Contributed by Thomas Van Herck

Gedankenlesen durch Schneckenstreicheln – Science Busters2012

• Büro Alba

Contributed by Ludwig Übele

Guido magazine, first issue2018

• G+J

Contributed by TypeMates

Error – The Art of Imperfection, Ars Electronica Berlin2018

• MOOI Design

Contributed by Florian Hardwig

Per B Sundberg (IKEA)2018

• Malmsten Hellberg

Contributed by Stefania Malmsten

moor.text websitec. 2018

• Büro a+o
• Roger Burkhard

Contributed by Swiss Typefaces

Ohne Farbe geht nichts2013

• Kong

Contributed by Thomas Hirter

Datashock – Kräuter der Provinz2018

• Manuel Wesely
• mm, m
• ConeTheWeird

Contributed by Manuel Wesely

Warhammer 40,000 novels (Black Library)2018

• unknown

Contributed by T Sechelmann

HBKsaar “link” lecture series2018

• Indra Kupferschmid

Contributed by Florian Hardwig

Kosmos – Bühne, Buchsalon, Kino, Bistro, Barc. 2017

• Studio Roth & Maerchy

Contributed by Swiss Typefaces

In Your Facec. 2018

• ItYt
• Kiriakoula Kremantzouli
• Melanie Rosenauer

Contributed by Swiss Typefaces

Lollipop – Christine Nöstlinger1977

• Angelika Kaufmann

Contributed by Florian Hardwig

Margaret Island wayfinding system2014

• Ákos Polgárdi

Contributed by Ákos Polgárdi

Happy Times at the IKOB2017

• Matthias Hübner

Contributed by Lucas Le Bihan

Afro-Tech and the Future of Re-Invention2017

• KoeperHerfurth

Contributed by Koeper Herfurth

Musikakademie Saarbrücken identity2018

• Manuel Wesely
• mm, m

Contributed by Manuel Wesely

JUFA Hotels2016

• En Garde

Contributed by Darden Studio

Impulse magazine, 2018 redesign2018

• Max Nelles
• Territory

Contributed by TypeMates

City of Leoben2018

• Marie Zie­ger

Contributed by Bureau Brut

Gebet!2018

• Johannes Pistorius

Contributed by Johannes Pistorius

Anker-Bäckerstrasse2011

• Re B
• Buero 4

Contributed by Matthijs Sluiter

Hilde & Gretlc. 2018

• Capitale

Contributed by Swiss Typefaces

Koschke – Woche der Kritik2018

• Kai Bergmann
• Matthias Neumann

Contributed by Revolver Type Foundry

Lügen Geld Betrug Sex Drogen Jesus2017

• Dafi Kühne

Contributed by Dafi Kühne

Evangelisches Frankfurt2016

• Jan Famira

Contributed by Willerstorfer Font Foundry

Schauspiel im ZDF (1978–83)c. 1978

• Christof Gassner

Contributed by Stephen Coles

NZZ Bellevue2016

• Edenspiekermann
• Anna Maria Ciupka
• Carolin Schnurrer

Contributed by Revolver Type Foundry

Spielart Festival 20172017

• Gestaltungsbüro Hersberger

Contributed by Vallois Clovis