Liza Rasskazova

Uses of typefaces by Liza Rasskazova

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B-LA Connect festivalc. 2019

Studio Last
Matthias Last

Contributed by Studio Last

Anders Normal2021

JAC-Gestaltung
Judith Anna Rüther

Contributed by Judith Anna Rüther

Why people dance by Irina Sirotkina2022

Ad Marginem

Contributed by Anastasia Balashova (Contrast Foundry)

Sponsor

Richard Hunt (Gregory R. Miller & Co.)2022

Miko McGinty
Julia Ma

Contributed by Anastasia Balashova (Contrast Foundry)

Lebt und arbeitet in Berlinc. 2022

Zweifel

Contributed by Hanzer Liccini

<cite>Lebt und arbeitet in Berlin</cite>

Sensible Objects by Berru2022

Miguel Mesquita

Contributed by Adelina Shaydullina

YaTalks Conference visual identity 20212021

Shuka
Ivan Velichko
Daria Zudina

Contributed by Anastasia Balashova (Contrast Foundry)

Facs – In A Present Tense posters2021

Bill Connors

Contributed by Eliott Grunewald

Views to the City workshops2022

Nikita Gavrilenko

Contributed by Anastasia Balashova (Contrast Foundry)

El que no pot impedir una pandèmia2021

Sergio Lairisa

Contributed by Benoît Bodhuin

Jugend Frei Raum2022

Contributed by Jérémy Landes (Studio Triple)

Staff Pick

Lamoda Community2019

Moscow Mule
Marina Kondratenko
Anna Kabanina

Contributed by Anastasia Balashova (Contrast Foundry)

MIT Technology Review, German edition (2022 redesign)c. 2022

Bureau Bordeaux

Contributed by Bureau Bordeaux

Future London Academy: Creative Leadership2022

Electric Red Studio
Nastya Vishnyakova

Contributed by Anastasia Balashova (Contrast Foundry)

Future London Academy: Creative Leadership

La Septième Obsession, “Harry Potter” issue

Alexandre Cano

Contributed by Alexandre Cano

Epimeta Lab2021

Veronica Paoli
Celeste Quercia

Contributed by Veronica Paoli

Time of the Magicians. The Great Decade of Philosophy. 1919–1929 by Wolfram Eilenberger2021

Razdesign
Maria Kosheleva

Contributed by Adelina Shaydullina

cmd P2019

Lea Johanna Becker

Contributed by Lea Johanna Becker

Beat Weekend 20212021

Stepan Petrov
Sasha Velichko

Contributed by Alain Papazian

ANTS 1+1=32021

Formal Settings

Contributed by Alain Papazian

Tonight at Merlin2020

Mark Bohle
Raffael Kormann

Contributed by Prima. Publikationen

La Septième Obsession, “Twin Peaks” issuec. 2021

Alexandre Cano

Contributed by Alexandre Cano

Music Biennale Zagreb 2021c. 2021

Sven Sorić

Contributed by Sven Sorić

Wetland exhibition at La Biennale di Venezia 20212021

Sarah Chehab
waiwai design

Contributed by Sarah Chehab

The Distance From Here exhibition at Jameel Arts Centre2021

Sarah Chehab
waiwai design

Contributed by Sarah Chehab

Bass Astral × Igo – Satellite album art2021

Hardziej Studio
Patryk Hardziej

Contributed by Laïc: Type Foundry

Bass Astral × Igo – <cite>Satellite </cite>album art

German Cyber Security Organization brand identityc. 2021

Helder Brand Design
David Wobido

Contributed by Studio Helder

Adam Nocek website2021

Gabriela Baka

Contributed by Gabriela Baka

Future Folds2019

Chiquita Kusumahadi

Contributed by Chiquita Kusumahadi

Valiz’s PLURAL book series2020

Lotte Lara Schröder

Contributed by Stephen Coles

Staff Pick

Izvan Okvira – Beyond the Boundaries2020

Zoran Đukić

Contributed by Production Type

Sqirl Away2020

Stephen Bogdan

Contributed by Massimiliano Audretsch

TELA 2021 collection bag2021

Florencia Porreca

Contributed by Massimiliano Audretsch

10 Years of COTE catalogue2020

Ilaria Castelli
COTE womenswear

Contributed by Ilaria Castelli

Juan Cortabarría – Solo en Casa EP2019

Diego Ibañez

Contributed by Diego Ibañez

Juan Cortabarría – <cite>Solo en Casa</cite> EP

Ragazzi restaurant identity2019

Something Creative Co

Contributed by Production Type

Staff Pick

Werkstattgespräch 22 poster2020

Büro für Kommunikation
Manuel Lorenz
Janosch Stein

Contributed by Matthijs Sluiter

The scale of disasters: Abandoned facilities in Russia2020

Vladislava Vishnevskaya

Contributed by Maria Doreuli

<cite>The scale of disasters: Abandoned facilities in Russia</cite>

Museum of Peace & Quiet website2020

Mouthwash Studio

Contributed by Mackenzie Freemire

Número Zero magazine2020

Bruna Sade
Leticia Souza
Amanda Moraes

Contributed by Bruna Sade

Billboard Italia magazine, May 20202020

Andrea Monteleone

Contributed by R-Typography

<cite>Billboard Italia</cite> magazine, May 2020

GGW annual report 20162017

Betty und Betty

Contributed by Betty und Betty

Lebassis business cards2019

Lebassis

Contributed by lebassis

JOON magazine, Issue 012019

FISK

Contributed by Chloë Miller

Staff Pick

Fermé2020

Anjela Freyja

Contributed by Anjela Freyja

Staff Pick

Hattie (2019) movie poster2019

Élise Rigollet

Contributed by Élise Rigollet

Bone Studio2019

SPGD

Contributed by Alain Papazian

Roscoe magazine, Issue No. 1, 20172017

Raj Grainger

Contributed by Raj Grainger

GQ Korea magazine, December 2019, “Men of the Year”2019

Kiyeol Kim

Contributed by Altiplano Typefaces

Staff Pick

Bad News, Wiesbaden Biennale2018

Fons Hickmann M23

Contributed by Matthijs Sluiter

Dark Matter2019

Maddy Angstreich

Contributed by Maddy Angstreich

Jaan Toomik – My End Is My Beginning. And My Beginning Is My End2019

Evgeny Korneev

Contributed by Maria Doreuli

Staff Pick

Ustajte, prezrene na svijetu – Ankica Čakardić2019

Sven Sorić

Contributed by Maria Doreuli

<cite>Ustajte, prezrene na svijetu </cite> – Ankica Čakardić

Birds Records2019

BBDO Branding

Contributed by Maria Doreuli

How to See the World by Nicholas Mirzoeff, Russian edition2019

unknown

Contributed by Maria Doreuli

Little Rivers Festival2019

Sasha Kulikov

Contributed by Maria Doreuli

Sapsuckerc. 2019

Vanderbrand

Contributed by Vanderbrand Creative Agency

Brandpad typography showcase month (Sep 2019)2019

Brandpad

Contributed by Noemi Stauffer

Brandpad typography showcase month (Sep 2019)

Leaves – Adriaan De Roover2019

Ward Heirwegh

Contributed by Ward Heirwegh

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Liza Rasskazova

Links

Uses of typefaces by Liza Rasskazova

B-LA Connect festivalc. 2019

Anders Normal2021

Why people dance by Irina Sirotkina2022

Richard Hunt (Gregory R. Miller & Co.)2022

Lebt und arbeitet in Berlinc. 2022

Sensible Objects by Berru2022

YaTalks Conference visual identity 20212021

Facs – In A Present Tense posters2021

Views to the City workshops2022

El que no pot impedir una pandèmia2021

Jugend Frei Raum2022

Lamoda Community2019

MIT Technology Review, German edition (2022 redesign)c. 2022

Future London Academy: Creative Leadership2022

La Septième Obsession, “Harry Potter” issue

Epimeta Lab2021

Time of the Magicians. The Great Decade of Philosophy. 1919–1929 by Wolfram Eilenberger2021

cmd P2019

Beat Weekend 20212021

ANTS 1+1=32021

Tonight at Merlin2020

La Septième Obsession, “Twin Peaks” issuec. 2021

Music Biennale Zagreb 2021c. 2021

Wetland exhibition at La Biennale di Venezia 20212021

The Distance From Here exhibition at Jameel Arts Centre2021

Bass Astral × Igo – Satellite album art2021

German Cyber Security Organization brand identityc. 2021

Adam Nocek website2021

Future Folds2019

Valiz’s PLURAL book series2020

Izvan Okvira – Beyond the Boundaries2020

Sqirl Away2020

TELA 2021 collection bag2021

10 Years of COTE catalogue2020

Juan Cortabarría – Solo en Casa EP2019

Ragazzi restaurant identity2019

Werkstattgespräch 22 poster2020

The scale of disasters: Abandoned facilities in Russia2020

Museum of Peace & Quiet website2020

Número Zero magazine2020

Billboard Italia magazine, May 20202020

GGW annual report 20162017

Lebassis business cards2019

JOON magazine, Issue 012019

Fermé2020

Hattie (2019) movie poster2019

Bone Studio2019

Roscoe magazine, Issue No. 1, 20172017

GQ Korea magazine, December 2019, “Men of the Year”2019

Bad News, Wiesbaden Biennale2018

Dark Matter2019

Jaan Toomik – My End Is My Beginning. And My Beginning Is My End2019

Ustajte, prezrene na svijetu – Ankica Čakardić2019

Birds Records2019

How to See the World by Nicholas Mirzoeff, Russian edition2019

Little Rivers Festival2019

Sapsuckerc. 2019

Brandpad typography showcase month (Sep 2019)2019

Leaves – Adriaan De Roover2019