Designed by Julius Herriet, Jr. for the Boston & Central
foundries sometime before June 1889 [The
American Bookmaker]. Also cast by Lehmann
(with Cyrillics) and, as Babyloniennes,
by Beaudoire/Peignot [Reichardt 2011]. “One of the peculiar
features of this series is, that the lower-case letters b, d, h, m,
n, p, q and y can be used to represent Q, P, Y, W, U, B, D and H,
and capital M makes W; figure 7 makes L, and figure 6 makes 9, by
merely inverting them – an important item for the consideration of
the printer, when short of ‘sorts.’ The letters line both ways.
Logotypes [for ‘The’, ‘and’, ‘Co’] of each size are furnished.”
[c.1892
Boston specimen]
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Designed by Julius Herriet, Jr. for the Boston & Central foundries sometime before June 1889 [The American Bookmaker]. Also cast by Lehmann (with Cyrillics) and, as Babyloniennes, by Beaudoire/Peignot [Reichardt 2011]. “One of the peculiar features of this series is, that the lower-case letters b, d, h, m, n, p, q and y can be used to represent Q, P, Y, W, U, B, D and H, and capital M makes W; figure 7 makes L, and figure 6 makes 9, by merely inverting them – an important item for the consideration of the printer, when short of ‘sorts.’ The letters line both ways. Logotypes [for ‘The’, ‘and’, ‘Co’] of each size are furnished.” [c.1892 Boston specimen]
Hardy Har Har NF (Nick’s Fonts, 2004, used for sample) is a digitization.