An alphabet by Walter Haettenschweiler shown in Lettera
3, 1967 (Aa–Zz, without ‘j’). The compact design with
horizontal contrast appears to draw inspiration from 19th-century
wood type, see Gothic
Bold.
Phototype adaptations shown by Photoscript [Photoscript
1970], Typeshop [ca. late 1970s catalog], and Solotype (as
Bacardi Condensed). [1992 catalog] Vancouver
Bold (Typeshop, ca. 1973) appears to be a derivative.
Benguiat Priscillas (Photo-Lettering, before 1971) is
similar.
Lucas Liccini made a private digitization in 2020 as part of his
Revivals &
Renditions student project at UdK Berlin. Emma Kouassi
made another academic digitization, with an extended
character set (ZHdK, 2022, unreleased). Also
provided More…
An alphabet by Walter Haettenschweiler shown in Lettera 3, 1967 (Aa–Zz, without ‘j’). The compact design with horizontal contrast appears to draw inspiration from 19th-century wood type, see Gothic Bold.
Phototype adaptations shown by Photoscript [Photoscript 1970], Typeshop [ca. late 1970s catalog], and Solotype (as Bacardi Condensed). [1992 catalog] Vancouver Bold (Typeshop, ca. 1973) appears to be a derivative. Benguiat Priscillas (Photo-Lettering, before 1971) is similar.
Lucas Liccini made a private digitization in 2020 as part of his Revivals & Renditions student project at UdK Berlin. Emma Kouassi made another academic digitization, with an extended character set (ZHdK, 2022, unreleased). Also provided inspiration for BN Raybeam (Brandon Nickerson, 2022).
