Designed by Herbert Thannhaeuser and cut by Otto Erler in 1952 at VEB Typoart’s Leipzig branch. Issued by Typoart in 1953. [Klingspor-Museum]
Andreas Seidel’s 2004 reinterpretation is Missale Incana. Ralph Unger’s more direct 2015 revival (used for sample) is named Erler Titling.
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