Tiempos in use

Comes in Text and Headline weights. Tiempos Fine was added in August 2018.

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Tiempos in use

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Eric Button personal blog website2022

Eric Button

Contributed by Eric Button

Dominiks Gedzjuns 1956–1961: Republika attēlosc. 2021

Alexey Murashko

Contributed by Adelina Shaydullina

Health By Habit website2022

Synchronized studio

Contributed by Andrew Morozov

Sponsor

Bidmii2021

Vanderbrand

Contributed by Vanderbrand Creative Agency

Keepsc. 2021

Red Antler

Contributed by Benjamin Cano

Paris 8e magazine2020

Graphéine

Contributed by Graphéine

Post Familiar wine company2021

Jordan Sowers

Contributed by Daniel McQueen (TDF)

Climate – Building Resilience in the Era of Climate Change2021

WAAITT

Contributed by TYPE.WELTKERN®

Neuralink2020

Play
Casey Martin
Nic Claure

Contributed by Astrid Fedel

Anaya Home website2020

Exhibea

Contributed by Exhibea

Valo Health2020

One Design Company

Contributed by David Sieren

Boxoffice Pro magazine redesign2020

She Was Only

Contributed by She Was Only

<cite>Boxoffice Pro</cite> magazine redesign

Carla escribe website and logo2020

Alberto Molina

Contributed by Alberto Molina

Voa Hotels2020

Plau
Carlos Mignot
Rodrigo Saiani

Contributed by Carlos Mignot

Smithsonian magazine, May 20202020

Maria G. Keehan
Erik K. Washam
Eritrea Dorcely

Contributed by Chris Purcell

<cite>Smithsonian</cite> magazine, May 2020

Wanted: The Search for the Modernist Murals of E. Mervyn Taylor2018

Anna Brown

Contributed by Stephen Coles

<cite>Wanted: The Search for the Modernist Murals of E.</cite><span class="nbsp"> </span><cite>Mervyn Taylor</cite>

Staff Pick

British Academy Summer Showcase 20192019

Only

Contributed by Only

Romance Journal, Issue 3 “Creation”2019

RoAndCo
Elena Miska
Rebecca Angus Smith

Contributed by Sharp Type

<cite>Romance Journal</cite>, Issue 3 “Creation”

Blackstone Valley Prep environmental graphics2018

Arrowstreet
Donald Suthard
Larry Spang

Contributed by Ciarán Crawley

Die Epilog, issue 7: “Quite important. Thema: Irrelevanz”2018

Oh No Oh Yes

Contributed by Die Epilog

Die Epilog, issue 8: “Wird schon schief gehen — Große Pläne”2019

Oh No Oh Yes

Contributed by Die Epilog

Manoel de Oliveira’s Grande Plano retrospective2015

And Atelier

Contributed by Feliciano Type

Manoel de Oliveira’s Grande Plano retrospective

Staff Pick

Institutional Investorc. 2017

Henrik Kubel
Ed Johnson
Kimberly Lum

Contributed by Ed Johnson

Staff Pick

Pinocchio: Storia di un burattino2018

Luca Longobardi
Alessandro Latela

Contributed by Alessandro Latela

<cite>Pinocchio: Storia di un burattino</cite>

The Rage2018

Jessica De Jesus
Veronica Corzo-Duchardt
Bitch Media

Contributed by XYZ Type

Staff Pick

Broccoli magazine, No. 42018

Jennifer James Wright

Contributed by Jennifer Wright

Staff Pick

The British Academy brand identity (2018)2018

Only

Contributed by Only

Staff Pick

Apricots from Damascus2015

Ali Emre Doğramacı

Contributed by Ali Emre Doğramacı

U of T Magazine, “Faster, Smarter AI”, spring 20182018

The Office of Gilbert Li

Contributed by 205TF

<cite>U of T Magazine, </cite>“Faster, Smarter AI”, spring 2018

Layered Studio brand2018

Layered Studio

Contributed by Fernando Martínez

Dictionary Stories by Jez Burrows2018

Cactuslab
Dan Cassaro
Jez Burrows

Contributed by Matthijs Sluiter

<cite>Dictionary Stories </cite>by Jez Burrows

Staff Pick

CCA Architecture2018

Manual

Contributed by Richard Baird

Slovenian National Opera and Ballet Theatre of Ljubljana — Season 2016–172017

0.10 Büro Ivan Ilic

Contributed by Ivan Ilic

Slovenian National Opera and Ballet Theatre of Ljubljana — Season 2016–17

Wired French website2016

AREA 17

Contributed by Production Type

Die Epilog, issue 6: “Wir kommen. Thema Generation”2017

Oh No Oh Yes

Contributed by Die Epilog

Modus Vivendi wine label2017

Guillotina Estudio

Contributed by Guillotina Estudio

The Right Brain Initiative annual report2014

Jen Wick

Contributed by Jen Wick

The Right Brain Initiative annual report

News magazine (Austria)2016

Christian Sulzenbacher

Contributed by Willerstorfer Font Foundry

The Murder of Art by Thomas Crombez2016

Thomas Crombez
Letterwerk

Contributed by Thomas Crombez

Sanae Architecture2016

Bureau 205

Contributed by 205TF

Famous.co2016

Famous Industries

Contributed by Kostas Bartsokas

Dictionary Stories website2016

Cactuslab

Contributed by Matthew Buchanan

Diario FICCI2015

Camilo Roa
Mottif

Contributed by Camilo Roa

Quora mobile site2016

unknown

Contributed by Peiran Tan

Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand2016

Jo Bailey
Anna Brown
Massey University School of Design

Contributed by Jo Bailey

Die Epilog No. 5 release poster2016

Oh No Oh Yes

Contributed by Die Epilog

<cite>Die Epilog</cite> No. 5 release poster

Olapic identity and website (2016)2016

Brendan Mahony

Contributed by Stephen Coles

Die Epilog, issue 5: “Hätte, könnte, wollte — Leben im Konjunktiv”2016

Oh No Oh Yes

Contributed by Die Epilog

Die Epilog, issue 4: “Humor. Mehr als Spaß”2014

Oh No Oh Yes

Contributed by Die Epilog

Die Epilog, issue 3: “Protest! Brauchen wir den Aufstand?”2014

Oh No Oh Yes

Contributed by Die Epilog

Die Epilog, issue 2: “Die Wiederverzauberung der Welt”2013

Oh No Oh Yes

Contributed by Die Epilog

Die Epilog, issue 1: “Nicht resignieren! Irgendwas geht immer.”2013

Oh No Oh Yes

Contributed by Die Epilog

<cite>Die Epilog</cite>, issue 1: “Nicht resignieren! Irgendwas geht immer.”

Libération 2015 redesign – a bolder Libéc. 2015

Javier Errea
Errea Communication

Contributed by errea comunicacion

Staff Pick

BIMA brand identity2016

Only

Contributed by Only

Art of Perseverance2016

Keelin Coyle

Contributed by Keelin Coyle

“You Only Design Once” column in IL magazinec. 2014

Francesco Franchi
IL magazine

Contributed by Village

“You Only Design Once” column in <cite>IL</cite> magazine

Staff Pick

Konstfrämjandet websitec. 2015

Konst & Teknik

Contributed by (Harald) Peter Ström

Staff Pick

ba.ro.co.2015

Studio Stefanowitsch

Contributed by Stefan Hoppe

Poison Season by Destroyer2015

Maggie Fost
Merge Records

Contributed by Shawn Weston

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Tiempos in use

Eric Button personal blog website2022

Dominiks Gedzjuns 1956–1961: Republika attēlosc. 2021

Health By Habit website2022

Bidmii2021

Keepsc. 2021

Paris 8e magazine2020

Post Familiar wine company2021

Climate – Building Resilience in the Era of Climate Change2021

Neuralink2020

Anaya Home website2020

Valo Health2020

Boxoffice Pro magazine redesign2020

Carla escribe website and logo2020

Voa Hotels2020

Smithsonian magazine, May 20202020

Wanted: The Search for the Modernist Murals of E. Mervyn Taylor2018

British Academy Summer Showcase 20192019

Romance Journal, Issue 3 “Creation”2019

Blackstone Valley Prep environmental graphics2018

Die Epilog, issue 7: “Quite important. Thema: Irrelevanz”2018

Die Epilog, issue 8: “Wird schon schief gehen — Große Pläne”2019

Manoel de Oliveira’s Grande Plano retrospective2015

Institutional Investorc. 2017

Pinocchio: Storia di un burattino2018

The Rage2018

Broccoli magazine, No. 42018

The British Academy brand identity (2018)2018

Apricots from Damascus2015

U of T Magazine, “Faster, Smarter AI”, spring 20182018

Layered Studio brand2018

Dictionary Stories by Jez Burrows2018

CCA Architecture2018

Slovenian National Opera and Ballet Theatre of Ljubljana — Season 2016–172017

Wired French website2016

Die Epilog, issue 6: “Wir kommen. Thema Generation”2017

Modus Vivendi wine label2017

The Right Brain Initiative annual report2014

News magazine (Austria)2016

The Murder of Art by Thomas Crombez2016

Sanae Architecture2016

Famous.co2016

Dictionary Stories website2016

Diario FICCI2015

Quora mobile site2016

Extraordinary Anywhere: Essays on Place from Aotearoa New Zealand2016

Die Epilog No. 5 release poster2016

Olapic identity and website (2016)2016

Die Epilog, issue 5: “Hätte, könnte, wollte — Leben im Konjunktiv”2016

Die Epilog, issue 4: “Humor. Mehr als Spaß”2014

Die Epilog, issue 3: “Protest! Brauchen wir den Aufstand?”2014

Die Epilog, issue 2: “Die Wiederverzauberung der Welt”2013

Die Epilog, issue 1: “Nicht resignieren! Irgendwas geht immer.”2013

Libération 2015 redesign – a bolder Libéc. 2015

BIMA brand identity2016

Art of Perseverance2016

“You Only Design Once” column in IL magazinec. 2014

Konstfrämjandet websitec. 2015

ba.ro.co.2015

Poison Season by Destroyer2015