Designed by Milton Glaser in 1964 (or 1966 [The Push
Pin Graphic, 2004], inspired by a hand painted sign in
Mexico City. [Container
List] Also spelled Babyteeth. Lettering execution
by George Leavitt. [Milton Glaser: Graphic Design,
1973] Glaser used the design for his famous Bob Dylan
poster in 1967.
Adopted by Photo-Lettering as Glaser Baby Teeth in
8 variations; Line (straight
hairline notches), Opaque (no counters), Dotted (dotted counters),
Baroque (curved notches), each in solid and outlined versions.
[One Line catalog, 1971] Several alternates (for
‘SLMT7’,
but also ‘E’, ‘G’ and maybe more), but no lowercase. Also carried
by Hollenstein Phototypo. [1974 catalog] Letraset’s adaptation
(used for sample) was made before 1976 [Modern
Publicity] and is similar to Glaser Baby Teeth
Line.
No official digital version exists, More…
Designed by Milton Glaser in 1964 (or 1966 [The Push Pin Graphic, 2004], inspired by a hand painted sign in Mexico City. [Container List] Also spelled Babyteeth. Lettering execution by George Leavitt. [Milton Glaser: Graphic Design, 1973] Glaser used the design for his famous Bob Dylan poster in 1967.
Adopted by Photo-Lettering as Glaser Baby Teeth in 8 variations; Line (straight hairline notches), Opaque (no counters), Dotted (dotted counters), Baroque (curved notches), each in solid and outlined versions. [One Line catalog, 1971] Several alternates (for ‘SLMT7’, but also ‘E’, ‘G’ and maybe more), but no lowercase. Also carried by Hollenstein Phototypo. [1974 catalog] Letraset’s adaptation (used for sample) was made before 1976 [Modern Publicity] and is similar to Glaser Baby Teeth Line.
No official digital version exists, but Paratype’s Bebit is a close approximation with the addition of Cyrillic. For a digital interpretation of the Baroque style, see Aint Baroque NF (Nick’s Fonts, 2009).