The hand lettered main titles of A Very Murray Christmas (see bottom of page) were done up with the standard glitz of a common TV special. In fact, that title is for a fictional special — the one featured within the story. While the end credits, set in a loose Cheltenham Condensed (possibly FB Cheltenham), are a much classier affair. The stripped down, elegant style, with spaced out centered columns and occasional staircase text, is right in Peter Miles’ wheelhouse. He has worked with director Sofia Coppola many times.