Silbern weint ein Krankes by Martin Eder Contributed by Florian Hardwig on Oct 6th, 2014. Artwork published in 2007. Source: http://www.martineder.com License: All Rights Reserved. Booklet published on the occasion of Martin Eder’s solo show at Galerie Eigen+Art, Leipzig. Source: http://www.eigen-art.com License: All Rights Reserved. The interview in German is set in narrow columns of Optima. Questions are underlined, answers have a large first-line indent. Source: http://www.eigen-art.com License: All Rights Reserved. The title page introduces a theme that is repeated throughout the 36-pages booklet: A small block in the quirky italic Rondka Urtyp interferes with a center-aligned pull quote in large caps, in this case from Plantin Light. Source: http://www.eigen-art.com License: All Rights Reserved. Peignot loses most of its eccentricity when used in all caps. Source: http://www.eigen-art.com License: All Rights Reserved. The version of Stahl used here is StahlLUX, a private digitization by Annette Lux of HIT. Source: http://www.eigen-art.com License: All Rights Reserved. Jan Sonntag of Sonntag Fonts studied at Gerrit Rietveld Academie under Gerard Unger’s supervision. His Hildegard was published by Linotype in 2004. Source: http://www.eigen-art.com License: All Rights Reserved. The English translation is set in Albertus. Interviewer and interviewee are marked with initials. Source: http://www.eigen-art.com License: All Rights Reserved. The closing page uses Plantin Semibold, Semibold Italic, and Bold. Typefaces Formats Booklets/Pamphlets (1250) Topics Art (2284) Designers/Agencies HIT (1) Tagged withDuMont (1)Eigen+Art (1)book covers (2851)book interiors (1519)exhibition catalogs (383)cats (45)Martin Eder (1)pull quotes (87)bilingual (504)underlined (374)all caps (3096)typographic eclecticism (146)center-aligned text (905)interviews (166)big type (865)custom typeface digitizations (29) Artwork location Germany (2224) United Kingdom (1787) Leipzig (79) London (996) In Sets somewhere (Johnny Whitman) (11) 2 Comments on “Silbern weint ein Krankes by Martin Eder” Roque Strew says: Nov 25th, 2014 5:16 pm I can’t believe that in 2014 Stahl still isn’t available to the public in some decent form. Florian Hardwig says: Nov 25th, 2014 6:58 pm Have you tried the digitization by Gerhard Helzel? His website sure is scary, but that doesn’t necessarily have to be true for his fonts as well. Post a comment Name Email – will not be published Website Your response Submit Comment More Albertus in use Prince of Darkness movie titles1987Contributed by Nick Sherman The Modulor by Le Corbusier, Faber & Faberc. 1954Berthold WolpeContributed by Florian Hardwig LeBron 11 websitec. 2013Contributed by Webtype Staff Pick Sponsor More in Art Marsden Hartley: The German paintings 1913–1915 at Neue Nationalgalerie2014Thoma+SchekorrContributed by Florian Hardwig Staff Pick Guillermo Kuitca2019Damien SaatdjianContributed by Damien Saatdjian Scrawl: An A to Z of Famous Doodles2019Brankica HarveyKen DeeganContributed by R-Typography Staff Pick Encoded Symbols, IN Residence monographsc. 2020BRH+Contributed by BRH+ More in Booklets/Pamphlets Tearable Craft by MA CRAFT! at Konstfack2017Mikael HultmanErika NyströmMartin OlssonContributed by Pernoux Loris Gary J Smith Real EstateParallax DesignContributed by Stephen Coles ECV Diplômes 20142014Atelier C&JContributed by 205TF SPRING Performing Arts Festivalc. 2017Studio SpassContributed by Production Type Staff Pick More Fonts In Use Beastie Boys – Hello Nasty album art and promotion1998Bill McMullenThe Drawing BoardCey AdamsContributed by Lauren Hart Staff Pick La Souterraine poster seriesc. 2015Brest Brest BrestContributed by 205TF Staff Pick Bad Poster Blame Cookie2011Paul SahreContributed by Stephen Coles Staff Pick “Pow!” poster2019Dafi KühneContributed by Dafi Kühne Staff Pick
2 Comments on “Silbern weint ein Krankes by Martin Eder”
I can’t believe that in 2014 Stahl still isn’t available to the public in some decent form.
Have you tried the digitization by Gerhard Helzel? His website sure is scary, but that doesn’t necessarily have to be true for his fonts as well.