While Carina is prominently used in lowercase for the conference title and headlines, Sanuk Big is employed everywhere else in different styles. Both can be found all over website, signage system, programme, interstitials, tote bags, patches and more.
In Alexandra Korolkova’s high-contrast Carina, you see the influence from her lettering skills and writing with the pointed pen. Although it is not used for TYPO, there is a sophisticated Cyrillic glyph set with numerous swashes and ligatures.
Compared to the regular version from 2006, Sanuk Big has an increased x-height, shorter ascenders and descenders and includes eight weights from Hairline to Ultra.