Hélène Marian together with Doc Levin redesigned the programs issued by the French National Renaissance Museum since 2014. They are all set with a colored (or reversed) Francesco, which turns out to be inspired by types cut in the Renaissance.
The typography is very refined: alternates ‘a’ & ‘e’ are used (with open counterforms rather than obstructed ones). So are discretionary ligatures, oldstyle figures and the rarely seen fleurons.