Gebr. Klingspor ads (1926) Photo(s) by Kirsten Solveig Schneider. Imported from Flickr on Jan 4, 2018. Artwork published in 1926. Source: www.flickr.com Uploaded to Flickr by Kirsten Solveig Schneider and tagged with “neuland” and “kochantiqua”. License: All Rights Reserved. “Wenige aber gute Schriften” — “Few but good typefaces. A selection from the most beautiful ones will give those printers who always want to satisfy their clients a decisive superiority in the daily competition. The use of our well-known artist’s typefaces ensures this superiority.” In: Typographische Mitteilungen, Vol. 23, Issue 7, July 1926 Source: www.flickr.com Uploaded to Flickr by Kirsten Solveig Schneider and tagged with “kochantiqua”. License: All Rights Reserved. “Our typefaces, cut by hand according to good old punchcutter’s custom, for which the best lettering artists provided the drawings, have proved themselves brilliantly in printing fine books. ¶ They lend a special unique expression to each work. ¶ They advertise and help every printer to keep those customers of printed matter who value good form and thoughtful work.” In: Typographische Mitteilungen, Vol. 23, Issue 5, May 1926 Source: www.flickr.com Uploaded to Flickr by Kirsten Solveig Schneider and tagged with “neuland”. License: All Rights Reserved. “A rich selection of wood type for poster printing. In addition to our type foundry we have taken up the production of poster typefaces in wood. In this department, which operates with the most modern machinery, we produce wood type in sizes up to 60 Cicero of most of our artist’s typeface designs. For this we exclusively use well-dried wood. Use the German typefaces of Rudolf Koch for successful results in artistic poster printing.” In: Typographische Mitteilungen, Vol. 23, Issue 4, April 1926 Typefaces Formats Advertising (1776) Topics Graphic Design (2588) Designers/Agencies Gebr. Klingspor (6) Tagged withGebr. Klingspor (9)magazine ads (298)type promotion (95)two-color (849)borders and rules (918)Typographische Mitteilungen (18)1920s (96)German (language) (1955)pilcrow (¶) (33)about type design (290)crosses (48)wood type (52)big type (1491)all caps (5961)stacked lines (212)metal type (129)compact diacritics (100)Weimar Republic (88) Artwork location Germany (3265) Offenbach (30) In Sets 2+ typefaces by 1 designer (Florian Hardwig) (841) Post a comment Name Email – will not be published Website Your response Submit Comment More Neuland in use EIMI by E. E. Cummings (Covici Friede, 1933)1933Samuel A. JacobsContributed by Florian Hardwig Staff Pick Monster Series book covers and interiors1977Doris WoodsRandal M. HeiseTammy LoeContributed by Patrick Concannon Valdez Is Coming movie logo and posters1971unknownContributed by Florian Hardwig Sponsor More in Graphic Design Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman2021Jérôme KnebuschContributed by Jérôme Knebusch Staff Pick Future Perfect Tense2018Chase BodyContributed by Chase Body Zurich University of the Arts annual report 20192020Samuel MartyContributed by Ludwig Übele Papierfabrik Fleischer letterheadc. 1960unknownContributed by Stephen Coles Staff Pick More in Advertising Paris, 80 photographies de Moï Ver1931Moï VerContributed by Stephen Coles Staff Pick Jimmy Carter 1976 presidential campaign buttons1976Contributed by Stephen Coles Julius Hager ads (1902–04)1902unknownContributed by Stephen Coles Porsche posters (1961–1969)c. 1961Erich StrengerVolzContributed by Florian Hardwig Staff Pick More Fonts In Use Form Us With Love website2012Christopher WestDenny BackhausForm Us With LoveContributed by Stephen Coles Staff Pick Cook This Book by Molly Baz2021Violaine & JérémyContributed by VJ-Type Staff Pick Tate Etc. issue 44, Autumn 20182018Studio ArdContributed by Sarah Klassen Staff Pick Paul Spengemann: Pocket Callc. 2021Studio HanLiContributed by HAL Typefaces Staff Pick