Cycles et motos — L’épopée fantastique 1820–1920 Contributed by 205TF on Aug 7th, 2018. Artwork published in 2016. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Brice Tourneux and Samuel Avequin have designed the catalog of the exhibition Cycles et motos — L’épopée fantastique. The typography uses Le François, a typeface created by Damien Gautier. This exhibition took place at the Musée de Compiègne. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Source: www.brice-tourneux.com Isabelle Scotta. License: All Rights Reserved. Typefaces Formats Books (5151) Topics Automotive (261) Transportation (279) Industrial Design (438) Designers/Agencies Brice Tourneux (5) Samuel Avequin (3) Isabelle Scotta (1) Tagged withdesign history (70)motorcycles (36)slashed zero (35)rotated type (1734)stacked and staggered (306)type on an image (96)French (language) (1839)exhibition catalogs (638)Musée de Compiègne (1)bicycles (43) Artwork location France (2113) Compiègne (1) In Sets Love font (jean-alexandre Jean) (11) Enciclopedia Central (Fernando Prieto) (18) interesting (Diarmuid O Connor) (94) Galerie parallele inspo (Élise Pierrelée) (23) Perfect Match (Lucas Bevilaqua) (4) Formats (Lucas Bevilaqua) (56) 2 Comments on “Cycles et motos — L’épopée fantastique 1820–1920” Florian Mörk says: Aug 7th, 2018 2:28 pm On Brice Tourneux’ website there’s a closer look on the body copy. Is it typeset in Akzidenz Grotesk or something similar? Florian Hardwig says: Aug 7th, 2018 7:22 pm Good sleuthing, Florian! Yep, it looks like AG — one of the older digitizations, where the 1 has too much surrounding space. Post a comment Name Email – will not be published Website Your response Submit Comment More Akzidenz-Grotesk in use Die Legende von Paul und Paula movie poster1972Klaus VonderwerthContributed by Florian Hardwig Helvetikone – Bubble Hum album art2009Mehmet YamanContributed by Mehmet Yaman McDonald’s French Fries Ads2009ArnoldChris EdwardsRandy RogersContributed by Fonts In Use Staff Sponsor More in Transportation MÁV-STARTContributed by Florian Hardwig Embark branding and website2011WeightshiftContributed by Stephen Coles JetBlue RetroJet2016Bailey SullivanCiara CordascoLashonne DuncanContributed by Stephen Coles “Stratocruisers Coast to Coast” advertisement1949unknownContributed by Bryson Stohr More in Books One Morning in Maine by Robert McCloskey (Viking)1952Robert McCloskeyHoward O. Bullard, Inc.Contributed by Florian Hardwig Helvetica and the New York City Subway System2010Paul ShawAbby GoldsteinContributed by Stephen Coles Staff Pick Pentagram Papers 44: Hear, All Ye People; Hearken, O Earth!2015PentagramMichael BierutJessica SvendsenContributed by Stephen Coles Blog Our Time is Now: Notes from the High School Underground (Bantam)1970unknownContributed by Stephen Coles More Fonts In Use Théâtre Croix-Rousse2021Atelier Claire RollandAtelier BaudelaireContributed by TypeType Staff Pick František Frank Frantík François Kupkac. 2013Anymade StudioContributed by Grilli Type Staff Pick iOS 7 Newsstand app icon (Beta 1)2013AppleContributed by Stephen Coles Staff Pick Woolworths Essentials2015Frost*Marque BrandingContributed by Matthijs Sluiter Staff Pick
2 Comments on “Cycles et motos — L’épopée fantastique 1820–1920”
On Brice Tourneux’ website there’s a closer look on the body copy. Is it typeset in Akzidenz Grotesk or something similar?
Good sleuthing, Florian! Yep, it looks like AG — one of the older digitizations, where the 1 has too much surrounding space.