Damn Everything but the Circus
2 Comments on “Damn Everything but the Circus”
Thanks, Jay. As with most American metal typefaces, Mac McGrew has the answer to this:
Trylon as made by Baltimore Type was a 1949 copy of Stephenson Blake’s Playbill, but Trylon Shaded and Trylon Shaded Oblique were designed and cut by George Battee of the Baltimore foundry.
Trylon Shaded now has an entry.