Designed Landscapes: Brussels 1775–2020 Contributed by 205TF on May 26th, 2022. Artwork published in November 2018. Olivier Bertrand. License: All Rights Reserved. For the signage of the exhibition Designed Landscapes — Brussels 1775–2020 at CIVA, Salutpublic (Renaud Huberlant with Olivier Bertrand and Marion Lacoste) used the typefaces Immortel Acedia and Immortel Infra, designed by Clément Le Tulle-Neyret and distributed by 205TF, alongside an unidentified sans serif [edit: it’s Dia, see comments]. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Olivier Bertrand. License: All Rights Reserved. Typefaces Formats Exhibition/Installation (777) Topics Architecture (1024) Designers/Agencies Salutpublic (1) Olivier Bertrand (3) Renaud Huberlant (1) Marion Lacoste (1) Tagged withexhibitions (264)Brussels (6)type on walls (330)timelines (84)landscaping (10)gardening (30)type series (738)architecture exhibitions (55)multilingual (1612)French (language) (1658)Dutch (language) (352)English (language) (1487)CIVA (1) Artwork location Belgium (307) Brussels (91) In Sets Exhibition (Lucas Bevilaqua) (152) Serif (Lucas Bevilaqua) (190) Sans (Lucas Bevilaqua) (171) 2 Comments on “Designed Landscapes: Brussels 1775–2020” Akira Yoshino says: May 26th, 2022 3:46 pm I looked at images at Behance. www.behance.net/gallery/119… I was able to identify the sans serif typeface thanks to this image: mir-s3-cdn-cf.behance.net/p… The Q and G are distinctive. It’s Dia Regular by Schick Toikka. fontsinuse.com/typefaces/38… www.schick-toikka.com/dia Florian Hardwig says: May 26th, 2022 5:34 pm Outstanding, Akira, thank you! Added. Post a comment Name Email – will not be published Website Your response Submit Comment More Immortel Infra in use La salle de classe, un objet graphique? by Éloïsa Pérez2021Bureau 205Contributed by 205TF Gauthier Roussilhe website 2022Timothée GoguelyContributed by Timothée Goguely Traversée anatomique2019Clément Le Tulle-NeyretContributed by Clément Le Tulle-Neyret Sponsor More in Architecture Andy Macpherson visual identity2020Studio GangplankContributed by Ganplank Sanae Architecture2016Bureau 205Contributed by 205TF Cidade — Semana Acadêmica 2015, PUCPR Curitiba2015Guilherme SchmittGuilherme FigueiredoContributed by Guilherme Schmitt Art-park/Nikola-Lenivets2021Ander SomkowichContributed by Alex Slobzheninov More in Exhibition/Installation Jané Winestore Expo-Licorc. 2019Pablo RovaloSingular GlassContributed by Pablo Rovalo Staff Pick Early Rubens, Legion of Honor Museumc. 2019Benjamin ShaykinJerod RiveraAmy BrowneContributed by Production Type Cadavre Exquis: An Anatomy of Utopiac. 2016Krzysztof PydaKlara CzerniewskaMaria JeglińskaContributed by Swiss Typefaces All fonts look the same2018Timmy JamesTrent KokichMatilda SteinContributed by Giordano Zatta More Fonts In Use Zodiaque editions (1958–84)c. 1958unknownPhoto(s) by Frank Grießhammer on Flickr. Staff Pick Woltc. 2020WoltDojoCC ProjectsContributed by Darden Studio Staff Pick Zweikommasieben #102014Präsens BüroContributed by Love Lagerkvist Staff Pick The Story of Our Friend, the Fat Facec. 1826Paul RandHerbert BayerBruno MunariContributed by Jennifer Kennard Blog
2 Comments on “Designed Landscapes: Brussels 1775–2020”
I looked at images at Behance.
www.behance.net/gallery/119…
I was able to identify the sans serif typeface thanks to this image:
mir-s3-cdn-cf.behance.net/p…
The Q and G are distinctive.
It’s Dia Regular by Schick Toikka.
fontsinuse.com/typefaces/38…
www.schick-toikka.com/dia
Outstanding, Akira, thank you! Added.