I get that a Baroque-themed album asks for some extravagance. Still, using swash alternates for every single glyph is a bit too much, isn’t it? But hey, we get to see the ampersand of Davison Art Nouveau! Or at least one of it – there might have been one or more alternates. This record featuring Edward Tarr and George Kent with Bengt Eklund and Helmut Böcker was released by Nonesuch Records (H-71279) in 1973, two years before the swashy bold roman premiered as the Dune font.