Pamela Rosenkranz’s House of Meme has been conceived as an artist’s book and catalogue. Book published by Walther König and Kunsthaus Bregenz. The publication was designed by Teo Schifferli, and set in Signs by Maxitype.
Pamela Rosenkranz addresses the phenomenon of perception. In her works, in which she uses materials as diverse as light, plastics containing endocrine disruptors, dyes, polymers, and even smells, she explores the interactions between sensory impressions and perception. Neuroscientific findings inform her work, together with art historical references, as well as objects from quotidian culture. Shumon Basar, Thomas D. Trummer, and further authors examine the artist’s distinctive working methods from differing perspectives and expound on the concept of the installations on display in her recent solo exhibition at Kunsthaus Bregenz.